Despite growing recognition, women directors—especially those narrating Asian immigration experiences in North America—are still significantly underrepresented,
with their stories and perspectives frequently marginalized in mainstream film discourse. This project explores the realm of movie reviews to highlight some unique voices from audiences.
Explore audience reviews of the following films by clicking on the tags below: Double Happiness (1994), Halving the Bones (1995), Picture Bride (1995), Saving Face (2004), and In Between Days (2006)—all directed by women.
See the code notebooks and project intro for more details.